Entries by BVD (3007)

Sunday
Oct182009

The Color Red, The Country Persia . . .

The Color Red, the Country Persia and the Emotion Sadness got together in an out-of-the-way place. Between planes, and nowhere near an airport. 

Color Red arranged him or herself on a blue silk divan that would have taken up 2,000 square miles in time-space. Red floated above the silk in a stack of shimmering rectangles, from orange through scarlet to violet and back again. The shadings rippled every time C.R. breathed, and pulsed when he spoke. (We call C.R. “him,” for convenience.) Red’s companions could tell he was agitated whenever he displayed traces of milky rose, like calamine lotion or one of your grandmother’s glass vases; milky lines were showing.

Country Persia tried not to notice Color Red’s condition; she didn’t want to disturb C.R. any more than necessary and in any case had her own problems. For the purpose of this meeting, Persia made herself into a sphere completely surrounding her companions. Both Red and the Emotion Sadness could look up or down or around and see only a firmament consisting of a brown parchment map of the ancient Persian Empire at its zenith. Emotion Sadness, a collective personality, were the air throughout this Persian globe, invisible but you always knew Sadness by their lilac fragrance.

Saturday
Oct172009

Sunset, Saturday, 17 October 2009

William Theodore Van Doren. Sunset from Stony Point, Albemarle County, Va. Oil on watercolor block, 16 x 20.

.... visiting uniform gray, rain barrel gray, Union or Confederate Zouave red-and-gray, and I guess we also have today gray, yesterday gray, and day-before-yesterday gray. But tonight I commemorate some of the most colorful of all grays (hello, Pittsburgh ... and Washington) – the legendary Homestead Grays.

Friday
Oct162009

Sunset, Friday, 16 October 2009

William Theodore Van Doren. Sunset from Stony Point, Albemarle County, Va. Oil on watercolor block, 16 x 20.

Gray is gray – light gray, bright gray, brown gray, burnt charcoal, mother of pearl, Rolls-Royce Silver Shadow, violet-gray cotton candy, steel rail polished mirror gray, dishwater, orange-gray shade under sunlit zinnias, gray slag of molten metal, gray ocean surface sunrise, blazing midsummer sun somewhere inside the gray.

Thursday
Oct152009

Sunset, Thursday, 15 October 2009

William Theodore Van Doren. Stony Point, Albemarle County, Va. Oil on paper, 16 x 20.

Rain and 46°F.

Yesterday Bob Leweke, morning host on regional NPR station WMRA, introduced the weather forecast this way: “For the next few days we have a 100% chance of dreary.” It’s a little bit difficult to gauge the situation now from here, but late this afternoon as I drove along the Southwest Mountains the clouds were only a few hundred feet above the ground.

Usually at times like this, in painting I look for the light, even if another observer of the sunset would probably say it wasn’t really there at all. Either that, or go with the darkness. An example of that approach that I like is the next-to-last sunset in the few paintings I’ve been able to photograph so far from 1997 – November 6th, from down by the railroad tracks in Charlottesville, near the University of Virginia Medical Center.

Actually, now that I look again at that painting, and yesterday’s, I realize what’s happening is both the light and the dark.

While I’m referencing WMRA, I’d like to recommend a fine blog by their super-producer Martha Woodroof, who is, among many other things, one of the best writer-reporters anywhere. You’ll sometimes hear her stories on national NPR. I’ve recently added a standing link to Martha’s blog at the side of this page.

On the 12th, Martha’s post started out with the furor over Rush Limbaugh’s efforts to buy the NFL’s St. Louis Rams. This got her into the subject not simply of Limbaugh’s controversial status but his popularity as a commentator. 

I had hoped our romance with polarization had ended on election day, but it appears that it hasn’t – if, that is, Rush Limbaugh’s ratings are any way to take the national pulse. And I don’t mean to pick on Limbaugh. He’s just such a clear-cut example of the kind of figurehead ranters we Americans spend our time listening to.

We elected President Obama in what appears to have been a brief flirtation with the concept of consensus and civility. Yet how impatient we have become with his efforts at consensus-building, his incessant information-gathering, his unfailing politeness in response to rudeness.

Is consensus-building just too much work for us as a culture? Is arguing and fighting about getting what we want, when we want it, too ingrained in us to allow serious consideration of reasonable compromise? Could it be that we are actually more comfortable, as a culture, wading through the wake of polarization left by The Decider et al.? Can we change our political conversation to one of consensus-building without being willing to change our own conversational tastes?

I had heard Martha talk before about the need for civil discourse and debate but hadn’t thought much about it, perhaps because I don’t feel all that civil myself on many hot-button topics. In other words, I didn’t see how things could really be any different. But something in her column jumped a spark for me.

I remembered reading not long ago how Nixon-Agnew (with the speechwriting help of Pat Buchanan) launched a successful ‘wedge’ strategy that has been expanded, developed and refined to this day – and they did this in part by personifying political positions. Some positions belonged to effete disloyal hippies – and others to patriotic true Americans of the silent majority. From that period, and increasingly during the traumas wrought by the previous administration, political positions, political opinions, have become no longer something we THINK, but something we ARE. We can’t talk to each other anymore because we’re not just talking about debatable topics of interest ‘out there’ (outside of ourselves), we’re protecting our very identities, ‘in here’ ... the whole thing was made very personal and we take it personally. When political controversy arises, many of us can hardly breathe, much less settle down and have a reasonable debate. As much as we may not think we agree with the personification of politics, many of us suffer from its consequences and its ongoing influence.

Wednesday
Oct142009

Sunset, Wednesday, 14 October 2009

William Theodore Van Doren. Stony Point, Albemarle County, Va. Oil on paper, 16 x 20.

Without meaning to, editorial demon Aime Ballard-Wood corrected me today on my post from Sunday about the overuse of what I was calling ‘exclamation marks’. After writing to me about yesterday’s post on the World Series (she commented, “Afternoon baseball: Hell yeah!” and I replied, “I was feeling like a lonely lunatic!”), Aime said, “Did you have to think about that exclamation point?”

Point? Not mark?

(My response, incidentally, was to give her my best Rex Harrison: They’re second nature to me now/ Like breathing out and breathing in ...)

When I asked Aime about it, she said:

I’ve always said, and I quite like, exclamation point. I like it so much that I refuse to try to look it up. 

It fell to me to do the grueling work. So after three minutes I came up with:

Exclamation point/mark? Chicago [The Chicago Manual of Style – online here, although I was referring to the print edition on my shelf] uses only ‘point’, dumb as rocks Wikipedia leads with ‘marks’ – that alone lends a lot of weight to points, as does the preponderance of ‘marks’ via Google. I liked the sound of marks but will have to go with points.

So I went to my post from Sunday and changed it. Evidence of my Exclamation Mark Period [sic?] is already being covered over by the shifting cybersands.

We ended our discussion as follows.

BILL: Doesn’t it suck that we’re doing this when we should be watching October afternoon baseball?

AIME [exclaims]: Yes!

Tuesday
Oct132009

Sunset, Tuesday, 13 October 2009

William Theodore Van Doren. Sunset from Stony Point, Albemarle County, Va. Oil on watercolor block, 16 x 20.

I couldn’t quite figure out how to say this without sounding like a retro reactionary nostalgia-mongering reprobate anarchist out to sabotage the U.S. economy and undercut the moral fiber of our youth, not to mention our elderly, and ... everybody else. Oh well.

I also know that the core of this idea is already popular with a certain small retro reactionary (etc.) minority of sports fans, but I may have added something to it that makes it even better ... or worse.

For the temperate zones of the northern hemisphere, it should be evident that October baseball was meant to be played in the daytime. This means the World Series, of course, and, by extension into modern times, the playoffs that lead up to it. Of course I’m influenced by warm gauzy memories of Indian summer afternoons when people stopped what they were doing at work or school to follow the game. I’m well aware of the economic imperatives of prime time television revenues that drove these games into the dark ... and into perfect football weather. I also believe that we are generally much, much more driven in our busy daytime lives than we used to be – how many would dare to stop and watch baseball at 2 p.m. on a Wednesday?

My wicked solution: Go whole hog. Make the Fall Classic into a variable series of national quasi-holidays, feast days, or picnic days if you will, to celebrate America. What is more American? (Lacrosse, the fastest sport on foot, but we’ll let that go ... for now. Oh, and basketball, but ... where was I?) So, O.K., what could feel more classically American? Not only that, these are festive days we would share, increasingly, with friends in Canada, Mexico, Cuba, Venezuela, Panama, China, Japan, Korea, all the places where baseball has taken hold. It would be great for baseball, and would mean more money, overall, not less. It would be good for the nation and our impoverished workaday obsessions. It would be good for the soul.

And I was very happy when it dawned on me, so to speak, that this little composition isn’t really a random digression but has everything to do with the sun going down on a warm autumn day like the one we’ve just had here.

Sunset’s for someone very close who’s having a tough week. For Rev. Sister S., cheers and love from this side of the Hully Gully.