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The “two” suns were rather fortunate, since I was also commissioned to paint another version (which I’ve just done, on wood panel) for a wedding gift. As fate would have it, the wedding I was asked to commemorate took place just a few miles further down my road ... so what I witnessed really was “their” sunset.
William Van Doren, DOOR NO. 3 (Sunset from Stony Point, Albemarle County, Va.) Oil on watercolor block, 13 x 19.
By waiting past the initial stage – a brilliant sunburst and dirty-bright ice white clouds – and then sunset proper – old gold and purple – I came to the twilight, which seemed to have more of the feeling of day’s end. And which brought the moon into the picture.
William Van Doren, BELLE DE JOUR (Sunset from Stony Point, Albemarle County, Va.) Oil on watercolor block, 13 x 19.
I think I’ve finally picked up on the (possible) fact that search engines don’t much like it if all you give them is an image and a title, but sometimes that’s all there is. We will endeavor to be a little more talkative.
Epilog (Sunset, Tuesday, 7 June 2011)
Often not only the skies change, but the titles as well. (This of course can be very aggravating.) At first the murky clouds in the oncoming heat and humidity somehow struck me as a Venusian blanket. Then this resolved into streaks and stripes of yellow and dull violet ... “Planet Waves,” I thought. A few minutes later I happened to look up – it was either “Epilog” or “Bouillabaisse.”